Wolfgang Amadeus Mozart’s Coronation Mass, without a doubt, ranks among the most significant works of the famous Austrian composer. This Mass, officially known as “Missa in C, KV 317,” was composed in 1779 and stands as a remarkable example of Mozart’s mastery in the realm of sacred music. The Coronation Mass earned its name due to its use in the coronation of Emperor Leopold II as the Holy Roman Emperor in Prague in 1791. The festive and majestic nature of the Mass was a perfect fit for such a solemn occasion. Indeed, the music reflects the royal grandeur and solemnity associated with a coronation ceremony. The Mass is scored for four solo voices (soprano, alto, tenor, and bass), mixed choir, and orchestra. Right from the opening Kyrie, one can discern the musical grandeur and virtuosity of the composer. The melodic lines are rich and powerful, while the orchestra plays majestic chords. Particularly noteworthy is the Gloria, one of the most well-known parts of the Coronation Mass. Here, Mozart employs lively rhythms and solemn trumpet sounds to convey the joy and praise of God. The choir sings in radiant harmonies, and the solo voices gracefully soar above.